Advanced Typography | Final Compilation & Reflection
23/04/25 - 27/07/25 [ Week 1 - Week 14 ]
Nicco Chew Jin Xun (0366563)
Advanced Typography | Bachelor of Design (Hons) In Creative Media | Taylor's University
Tutor: Mr. Vinod
Table of contents
1. Instructions
2. Task 1
3. Task 2
4. Task 3
5. Reflection
Instructions
Blogspot quicklink
Task 3: Type Exploration & Application
Instagram Link :
Submissions
Task 1: Exercise
23.4.2025 - 14.5.2025 ( Week 1 - Week 4 )
Fig 1.1 - Final Grid System (JPEG), week 1
Fig 1.2 - Final Radial System (JPEG), week 1
Fig 1.3 - Final Transitional System (JPEG), week 1
Fig 1.4 - Final Modular System (JPEG), week 1
Fig 1.5 - Final Dilatational System (JPEG), week 1
Fig 1.6 - Final Bilateral System (JPEG), week 1
Fig 1.7 - Final Random System (JPEG), week 1
Fig 1.8 - Final Axial System (JPEG), week 1
Fig 1.9 - Final 8 Typographic Systems (JPEG), week 1
Fig 1.10 - Final 8 Typographic Systems without grids (PDF), week
1
Fig 1.11 - Final 8 Typographic Systems with grids (PDF), week
1
Fig 1.1 - Final Grid System (JPEG), week 1
Fig 1.2 - Final Radial System (JPEG), week 1
Fig 1.3 - Final Transitional System (JPEG), week 1
Fig 1.4 - Final Modular System (JPEG), week 1
Fig 1.5 - Final Dilatational System (JPEG), week 1
Fig 1.6 - Final Bilateral System (JPEG), week 1
Fig 1.7 - Final Random System (JPEG), week 1
Fig 1.8 - Final Axial System (JPEG), week 1
Fig 1.9 - Final 8 Typographic Systems (JPEG), week 1
Fig 1.18 - Final type & play letter compilation (PDF),
Week 3 (05/05/2025)
Fig 1.19 - Final type & play letter compilation (PDF),
Week 3 (05/05/2025)
Task 2: Key Artwork & Collateral
21.5.2025 - 4.6.2025 ( Week 4 - Week 9 )
Fig 2.1 - Final Key Artwork, Black on White
Background, week 6
Fig 2.2 - Final Key Artwork, White on Black
Background, week 6
Fig 2.3 - Final Colour Palette, week 6
Fig 2.4 - Final Key Artwork in actual colours
on lightest shade of colour palette, week 6
Fig 2.5 - Final Key Artwork in lightest shade
of colour palette on darkest shade of colour palette, week
6
Fig 2.6 - Final Task 2A Compilation (PDF), week
6
Instagram Link :
Fig 2.7 - Final Collateral #1 - Two Bucket Hat (JPG),
week 7
Fig 2.8 - Final Collateral Indigo on
Dusty Rose wordmark (JPG), week 7
Fig 2.9 - Final Collateral #2 - Hang
Tag (JPG), week 7
Fig 2.10 - Final Collateral B&W
(JPG), week 7
Fig 2.11 - Final Collateral Flower 'N'
Icon (JPG), week 7
Fig 2.12 - Final Collateral Dusty Rose
on Indigo wordmark (JPG), week 7
Fig 2.13 - Final Collateral Colour
Palette (JPG), week 7
Fig 2.14 - Final Collateral #3 -
Packaging Box & Notebook (JPG), week 7
Fig 2.15 - Final Collateral Patters
'I' (JPG), week 7
Fig 2.16 - Instagram link: https://www.instagram.com/nnn_dsgn/
Fig 2.17 - Final Task 2B, Collateral
Compilation (PDF), week 7
Task 3: Type Exploration & Application
18.6.2025 - 16.7.2025 ( Week 9 - Week 14 )
Download my font here:
Fig 3.1 - Font Information - PDF , week 13
Fig 3.2 - Final Font, week 13
Fig 3.3 - Task 3 font presentation 1, week
13
Fig 3.4 - Task 3 font presentation 2, week
13
Fig 3.5 - Task 3 font presentation 3, week
13
Fig 3.6 - Task 3 font presentation 4, week
13
Fig 3.7 - Task 3 font presentation 5, week
13
Fig 3.8 - Task 3 font presentation 6, week
13
Fig 3.10 - Final Font Presentation - PDF, week
13
Fig 3.11 - Task 3 font application 1, week
13
Fig 3.12 - Task 3 font application 2, week
13
Fig 3.13 - Task 3 font application 3, week
13
Fig 3.14 - Task 3 font application 4, week
13
Fig 3.15 - Final Font Application - PDF, week
13
Fig 3.16 - Honor Competition - Overall Visual
Design , week 13
Fig 3.17 - Honor Competition - Clock Display ,
week 13
Fig 3.18 - Honor Competition - Personalized
Signature , week 13
Fig 3.19 - Final Honor Competition - PDF, week
13
Reflection
Observation
Throughout the 14 weeks of learning Advanced Typography, I’ve developed a deeper appreciation for the art and complexity behind type. At the beginning of the semester, typography felt like just another visual element, but as time passed, I began to see it as a form of language on its own, the one that can evoke mood, emotion, and hierarchy. I particularly enjoyed how Mr.Vinod often used real-life examples, showing us posters, signage, and branding in the real world to illustrate each concept. These moments made the lessons feel grounded and relevant, helping me connect theory to daily life. As the weeks went by, I found myself increasingly looking forward to each class, often excited to see what new aspect of typography we would explore.
Experience
One of the most important things I discovered during this
course is that typography is everywhere, it’s just that we
don’t always
see it. Now,
whether I’m walking through a mall or passing by a cafĂ©, I
automatically start analyzing the font choices, letter
spacing, and layout of signboards, menus, and posters. This
awareness wasn’t something I had before. I also learned how
to use more advanced tools like FontForge, which gave me a
behind-the-scenes look into type creation, from adjusting
anchor points to kerning and exporting fonts. It was
exciting to realize that typefaces aren't just downloaded,
they’re designed,
with a thousand micro-decisions behind every curve. These
findings made me realize how much detail and care goes into
every letter we read.
Findings
My experience in Advanced Typography has been both
challenging and rewarding. Every assignment pushed me to
think more critically not just about what looks good, but
about why it
looks good. I especially appreciated the process of creating
my own typeface, which taught me patience, precision, and
the importance of consistency. As the semester went on, I
noticed my time management skills were put to the test. Some
weeks were more demanding than others, and balancing design
work with other responsibilities reminded me that creativity
needs structure too. But even when things got hectic, I
genuinely enjoyed the process. Typography used to be
something I overlooked, but now it feels like a lens I can
use to view the world differently. I leave this semester not
just with technical skills, but with a new passion.
Comments
Post a Comment